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A companion in Twitter, Rakesh, has classified the Nepali films in four unique sorts. In spite of the fact that the order is done freely and the limit of this arrangement is greatly foggy, such a classification can give a harsh aide on what a specific film is similar to. I think, there is opportunity to get better in this classification so one can without much of a stretch choose whether to watch the motion picture or not. There is a probability that a few films may fall in more than one classification. How about we survey every class in point of interest with illustrations.

Masala Nepali films contain all the diverse enlivening parts of motion pictures. They are the blend of parody, family show, activity, music and love all stuffed in a motion picture to advance a wide range of viewers. They may contain every one of these fixings (masala) or some of them. These sorts of motion pictures are less dangerous and henceforth, the built up film makers like to run with these kind of motion pictures.

The viewers of Masala Nepali motion pictures are normally the viewers of single-screen theaters. The viewers watch these motion pictures for the amusement in the length of time of the motion picture. The craftsmen highlighted in such kind of motion pictures are Rajesh Hamal, Rekha Thapa, Nikhil Upreti et cetera. A large portion of Shovit Basnet’s motion pictures, Bhuwan KC’s films, Rekha Thapa’s motion pictures Chhabi Raj Ojha’s motion pictures fall in this classification.